Tuition for Life Lessons: A Mediation on Resentment

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Several years ago, while I was still in college and before I started on my yoga career, I worked in a little loan company processing loans. The man who owned this company (we'll call him "Jeff," mostly because that was his name) taught me several valuable things, many about people and others about myself. While some of the lessons he taught me were very costly both in money and in hurt, it was all great tuition for some essential life lessons.

One of the valuable things Jeff taught me, something I'll remember for the rest of my life, was that even more important than processing people's loans, my real job was connecting to the people I served through the loan business. He taught me that It doesn't matter if you're a doctor, teacher, or loan processor, you're real job is to connect to people. Your 9–5 is just the particular lens through which you're called to connect to others.

He also taught me how to focus under pressure and how to organize my tasks around priority. He taught me things about working with people that I've used everyday since I worked there. He showed me parts of myself waiting to come out.

But this article is about what he taught me about forgiveness. 

Everybody has their Kryptonite. Despite Jeff's shining attributes, he wasn't a very good business person. I grew very concerned the day that my paycheck bounced. When I approached him with this dilemma, he asserted that even though the company was in a little slump, everything would soon be ironed out.

It never was.

I liked Jeff and wanted to hang in there for him until he got things figured out. But eventually, I could see the writing on the wall and after a few months of not getting paid, I finally left. When I walked away, he owed me these few months of back pay. What he owed me was a lot of money for a starving student, not to mention that all this happened coincided with Christmas and the tuition deadline for next semester. 

Even though I was the one who offered to stay, I really thought that Jeff would come through and was really hurt when he didn't. I felt really betrayed. Jeff stopped returning my calls. My feeling of hurt turned into betrayal, turned into a bitterness, turned into obsession. I just couldn't let it go. For a while it was all I could think about.

I wanted some recourse so I called the Labor Commission and filed a complaint, adding to the other employees at the failed loan office.The process was fraught with bureaucracy and dead ends—unfruitful and painfully slow. Eventually, the courts began to subpoena Jeff to arrive in court. I soon realized that I could easily gain my money back if I were only paid five cents every time I heard the Labor Commission say the phrase, "Your file is under review and we'll notify you once we know anything different."

This empty search continued for over two . . . (I pause for effect) YEARS. Each new attempt to resurrect my file brought me more pain and frustration.

Then one night I had a dream. I dreamed that I met Jeff. I saw him not as the evil person I'd made him out to be but as just a simple dude with a five-o'clock shadow (that's the way he always looked, even at 8 am). In my dream, as soon as I saw him, I suddenly got tired of holding this grudge. I forgave him of the whole thing. Completely. In my dream, Jeff didn't seemed very thankful or changed by that fact, nor did he seem really to even notice, but that didn't matter because I had changed. Instead of angry and dark, I was light and free. So, I woke up that next morning let it go. I let it all go. I was astounded how easily it was to forget about after that moment.

It took me several years to understand that even though Jeff had done me wrong, he still taught me some very valuable things. I began to think that my lost wages as a tuition paid for some very valuable lessons. Unbeknownst to me, my lessons weren't over yet.

One day, more than a decade later, I heard something on the radio that reminded me of Jeff. I hadn't even thought about Jeff since I'd had that dream about a decade previous. By this time in my life, I lived in a completely different town more than 50 miles away and had given up the world of mortgage lending for yoga teaching. I don't even remember what it was on the radio but whatever it was reminded me about all the great things that Jeff had taught me. I felt not only healed from all the resentment and pain but like I'd even grown from the experience I'd had at the failing mortgage office. Proud, I said to myself, "If I ever meet Jeff again, I promise that I will vocally forgive him and thank him for what he has taught me."

Something else I've learned is that when you call out to Destiny, prepare for an all-out a bare-knuckle brawl. She'll come and she'll test you just like you asked her to. She'll give you what you wanted but expect a little more blood—your blood.

Beehive Tea Rom, the cafe where I saw Jeff

So, almost exactly an hour later after calling out to the Universe that I'd forgive Jeff if I ever saw him, I was nursing a cup of Raspberry Mint tea in a cafe when over my shoulder I heard a disturbingly familiar voice. I didn't have to turn my head to know that it was Jeff and despite the warm tea, my insides turned to ice. 

I sat there listening to his voice as I burst into a cold sweat. And despite the fact that I'd just told Destiny that I'd forgive Jeff if I ever ran into him, now that it came to it, I wasn't so sure. I hadn't seen him in a decade. There was bad blood between us. I'd even subpoenaed him in court. Would he even remember me? Would he want to hit me?

As I debated within myself, he started to get up to leave. If I was going to act, it had to be now. I took a deep breath, stood up, and stepped toward him. "Hey, Jeff. I don't know if you remember me but I used to work for you at the mortgage company." He paused for a moment with a stunned look in his eyes. He took a step back probably wondering if I wanted to hit him. I explained to him quite frankly how he had hurt me then just as mater-of-factly said, "But you know what? I forgive you." I then explained to him all the things that I learned from him and that if I ever ran into him, I'd thank him for those valuable life lessons.

He just stood there stunned. He made no apologies, no explanation. He simply told me that I made his day. I made mine, too.

And no, he didn't write me out a check for the back pay.

That day, I realized that the money I'd lost was a relatively inexpensive tuition for the life lessons I'd learned. Some of the biggest lessons I learned through that experience were that holding a grudge only hurts me and forgiveness heals that hurt. That and to watch out when you call out to Density.

Our yoga and meditation practice is one way of creating intention and therefore dancing with Destiny. It's a way of producing an Awareness to see that even the muddy waters of our bitterness and pain can lead us to see the lotus of our own love, the nature of our True Being. Ultimately, we'll find that our blossoming love rests in our ability to be flexible and teachable to the lessons that beset us each day.

Would you mind sharing this?

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Seeing the Finger of God: New Directions in Jazz

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In 2003, I attended a life-changing concert—Herbie Hancock teamed up with other jazz greats such as Michael Brecker and Roy Hargrove in a quintet to celebrate the music of Miles Davis and John Coltrane, both of whom would have turned a heavenly 77 that year. The two horn players chosen to honor those dead gods of Jazz have themselves now passed on, Brecker in 2007 and Hargrove in 2018, and can count themselves in the numbers of saints who come marching in.

https://www.montreuxjazz.com/herbie-hancock

Whether yoga asana or jazz, both modes point to that Oneness of being we all share. Both point to and celebrate spirit. The following is a story about this pointing.

Holy

It was Spiritual. There was a moment in the concert when the horns were off stage allowing the rhythm section to solo. The concert hall was dark except for three dim spotlights, each illuminating a musician on stage. Herbie Hancock was hunched over his keys popping dissonant chords like ice on a red-hot stove. John Patitucci's fingers blurred and tangled as they whirred around the fretboard of his double bass. The drummer was nimbly tap-dancing around his set. Popping, clinking, banging, like someone rummaging through a junk drawer. Then, each musician began to play as if oblivious to the other musicians. All three seemed to abandon the song's underlying structure, the musical map that makes playing together possible. They were alone, lost and consumed in the rite of making their own art. Time began to slip away and it became more of an abstract idea than a perceptible pulse. Impossible to find a down-beat.

The music floated like this for eternally long minutes. I could see the music personified on the furrowed brows and grimaces of the musicians. Their notes were together turbulent, raging, furious, and at times lackadaisical. I drifted with the music. Despite the musical trip, however, something was gnawing at me. It was my rational mind wondering how the music could possibly come back together from this entropy, this chaos. I could see no signs that the musicians were following any sort of map in the song's structure. How would the horns know when to come in and start the melody again, the head? How would the rhythm section come back together? And with these questions, my eyes fixed upon the musicians, hypnotized to the scene before me. Afraid to miss a single note, I stared wide-eyed, wondering what would happen next. Minutes and seconds had ceased.

And after an age, suddenly the horns were back on stage. Without a word, and without a cue, without a gesture, not even a glance, the rhythm section simultaneously aligned to a slow, swung 4/4 meter at the precise fraction of a second that both sax and trumpet blew a soft, low, singular, note. The timbre of this note could not be discerned by the nature of the instruments; it was both sax and trumpet. A third horn. A new name. Invisible but right in front of me. And with this new horn they began the head.

All five were playing as individuals, carving out their own signature and personalities with their instrument. Yet despite the apparent autonomy, chaos, and dissonance, every sound by each musician originated from the same steady beat of one shared heart. It is this heart that makes the maps and this heart that sews the musicians together with an invisible thread. My soul was witnessing a miracle. As I watched and heard them play, I was sensing this shared, invisible heart. I was seeing the finger of God.

So What

Like the music, the concert itself had underlying form and context. It was like a séance, summoning Miles Davis and John Coltrane from the grave back to the terrestrial stage, luring them with their own music. In the spirit of Miles Davis and John Coltrane, Herbie's quintet played the music like Miles and Trane would have played it—decidedly different than Miles and Trane would have played it. Different was the context.

Miles Davis and John Coltrane have always been mysteries to me. Mysteries because the beautiful yet complex music they created during their spin on this globe were only facsimiles of what was written on their souls and in their minds. Each time I listen to a Miles or Coltrane record, I search for clues about what was in their souls. Where was their genius. Their records are only blueprints, but by studying these blueprints, someday I hope to hear what their souls were calling out to the world—to me. For now, though, I am a young student to the world of jazz and only have ideas of what these geniuses were singing. Most of it remains a mystery to me.

I WILL BE YOUR LIGHT IN THE WILDERNESS

To miss the Herbie Hancock Quintet, billed as Utah's hottest jazz event of the year, was almost reason enough to pass up the invitation to go and teach English in Korea for a year. I went to Korea. I arrived as winter was setting in and after a few long, cold months in this new and foreign world of Korea, I finally got a weekend off. While on a bumpy train headed south to sunnier Busan, I happened to notice an ad hidden in the corner of an English newspaper. It announced that in two weeks, the Herbie Hancock quintet would be in Seoul performing the same concert I had missed in Utah. I almost jumped out of my seat with surprise and joy. The Universe likes to spoil me from time to time.

Providence may have brought Herbie Hancock to Korea but I still had my work cut out for me if I wanted to go to the concert. First I had to get a ticket. This was before buying your ticket on the internet was really a thing. My Korean pair-teacher, Eun-hee, my tag-team partner in the MMA ring of teaching children, made several necessary phone calls to Seoul and spent a lot of time helping me secure a ticket. She even paid for my ticket using her own bank account to wire the money. I paid her back in cash. Without a Korean speaker, getting a ticket would have been nearly impossible.

Even after the arduous task of procuring a ticket, it took several days and much drama, to cover my classes. The decision to allow me to go and ask other teachers to take my classes went all the way to the director of our school. Despite the fact that I already had my ticket, ultimately going to see Herbie Hancock was in his hands. He was concerned about the school's constant shortage of native English-speaking teachers. After several days of deliberation he finally he acquiesced and allowed me to go.

PILGRAMAGE

With a ticket waiting for me in Seoul, I taxied to Yousong, a part of town in Daejeon where I was living, and bought my bus ticket to Seoul. While waiting for the bus to leave, I found a bakery. There was nothing good, so instead I went outside and sat on the edge of a shadow in the hopes of catching the last rays of a tepid sun. I faced the sun, closed my eyes and let it penetrate my closed eyelids. I drank it.

During my two and a half hour ride to Seoul I read Dostoevsky's words of devils and angels, saints and sinners, of children. I read of Devils becoming angles. It reminded me that the Universe is mostly good with some interesting variations of good that some call “bad” thrown into the mix.

With only a small day pack stuffed with Karamazov, a subway guide, and my toothbrush, I arrived in Seoul and then hopped onto the subway to make my way to the stop nearest Kung Hee University, the concert venue. As I stepped from the subway station, the winter afternoon met me with a bitter chill. It was cold and sunny, bright and sharp. The oblique rays of the afternoon sun did little to chase away the goose bumps on my skin.

I walked around busy Seoul streets for a while following signs to Kung-hee University. After asking several times for directions I finally arrived at the university. After several more requests for directions to the concert hall, I finally found my the long awaited destination of my pilgrimage. As I walked up a hill I saw the concert hall standing before me like a giant. It was designed after a renaissance cathedral. It looked like Westminster Abbey to me.

It had stained glass windows and large, ornate doors, arched ceilings, etc. Its two towers reached high into the deep blue sky like arms to heaven.
Considering all my trouble of getting the ticket, I couldn't shake the pessimistic feeling that somehow, something would prevent me from going to the concert. I had to get my ticket in my hand before I'd believe I was going to see Herbie Hancock in concert. Entering the giant front doors, my lone footsteps echoed off the marble floors as I walked in search of someone who could give me my ticket. A nice woman told me in broken English that they would not being to issue tickets until six. It was only four thirty. Okay, maybe I was a little paranoid. But before leaving to look for a motel room for the night, I decided to look inside the enormous hall to see what it looked like.

Inside I saw a man on the stage warming up on a stand-up bass. Someone in a sound booth above my head shouted to the bassist to plink and on the piano a bit to get a reading. To my complete amazement, Herbie Hancock, having been summoned by his own instrument, walks onto the stage carrying a folder with his music. He was impossible to mistake; impeccably dressed: hip, thick rimmed glasses, a dark suit over a deep purple shirt, and a monotone tie —stylish, modern, but not loud. Herbie replaced the bassist on the piano. I was sitting in the front row of the hall, only fifteen feet from Herbie Hancock! Then it dawned on me that I was about to get a personal, pre-concert concert.

The bass player/part-time piano plinker turned out to be John Patitucci, a highly acclaimed bass player and bandleader billed for this tour. I was surprised at the obsequious deference he gave Herbie. After all, he's no rookie. Moreover, he'd been touring with Herbie for more than a year, and after a year of playing with someone, I assumed that they'd be chummy. Perhaps the marking of a true student is one who recognizes the master.

https://www.celebrity-direct.com/hire-jazz-musicians-classic-broadway-singers/hire-herbie-hancock/

Then the sound check began. Herbie and John pulled out the sheet music that Herbie toted onto the stage and together they penciled in some changes, analyzing the music meticulously, note by note, measure by measure. Later in the performance, when they came to that reworked spot, I'd never have guessed that they hadn't been born playing it perfectly.

Soon, Michael Brecker—rigid, tall, quiet— walked onto the stage, saxophone in hand. He stood listening to the rhythm section and would often play a head or a solo to give context to the rhythm sections chords. A few minutes later on swaggered the trumpet player Roy Hargrove. He was as laid back and cool as they come. He sat, so lazily that he almost lay, on a stool a couple paces away from the band. This acted as sort of his ring corner when the rhythm section or Brecker was going at it. He sat listening, lost in his own thoughts, and raised his trumpet to play when the music called for it.

Once during the sound check, the rhythm section was plowing through some chords and Roy Hargrove pulled up his horn and played a line. To me it sounded like any regular jazz line but Michael Brecker broke his frozen stance and burst out with a guffaw, looked over to Roy Hargrove, and shouted, "Good one!" Roy was telling jokes on his trumpet. I wished I understood the punch line—musically esoteric. A few minutes later, still in a joking mood, Roy Hargrove began a solo, this time using the melody to Kenny Rogers's country hit, The Gambler.

During the sound check, I had the rare chance to witness not only these musicians' music, but more importantly I got to see their personalities, raw and exposed in a way that is impossible in front of a crowded concert hall. Herbie was funky, funky, funky, like an old southern woman cooking fried chicken on the porch. Herbie had wonderful blues face: a painfully blissful grimace evoked by the music.

Michael Brecker was stiff, reserved, tall, foreboding, and looming. I could sense that he has secrets going on behind his quiet eyes. By this time, he was experiencing the deleterious effects of Leukemia.

Roy Hargrove was there to play. He's got secrets, too but he's so hip, he knows that even he doesn't even understand them.

John Patitucci has a happy, kind face. His defining characteristic is his virtuosity on his bass. Still, he isn't trying to prove anything. He just does it and does it damn well.

https://www.express.co.uk/entertainment/films/802783/Willy-Wonka-Gene-Wilder-Charlie-Golden-Ticket-Chocolate-Factory

The drummer (I forget his name) was a great drummer—a furry but never over bearing. He knew his place. He was actually a replacement for Brian Blade, the regular drummer who couldn't finish the tour.

I also had the chance to see them carve into and analyze the music, measure-by-measure, analyzing chords, rhythms and harmonics. They talked about the music as if they were seeing it for the first time. Everyone offered suggestions and they penciled them in.

After two hours of this pre-concert concert, the ushers shoed me out. By now it was late enough that I was able to get my ticket from the ticket office, which I stashed safely away in my wallet. I felt like I was Charlie Bucket finding a golden ticket.

The concert still didn't start for an hour and I hadn't found a motel room for the night. It was dark outside as I left the concert hall. The cold blew through my canvas coat unmercifully. Walking down the busy streets near the university, it didn't take long to see that the neighborhood of Seoul I was in was more suited to a nightclub a nice, clean motel. As I began to walk, I realized that I hadn't eaten since breakfast and instead of worrying about a motel, I concentrated on getting something to eat. I decided on pizza. Unfortunately, it was only a take out restaurant, so I took my pizza next door to Baskin Robins and ate it sitting at a one-person table. I wasn't in the mood for ice cream but I needed to rent a table so I bought a jr. cup of Chocolate Brownie and watched it melt as I ate my small pizza.

I finished dinner and headed back through the crowded streets to the concert hall. I walked back into the lobby of the concert hall, which was teaming by now with hundreds of people. I saw Herbie Hancock CDs for sale (recorded at an earlier concert) and without hearing a note, I had to have one. I couldn't help myself.

The concert was only minutes away. I entered the hall and easily found my seat in the back of the hall on the ground level. As I sat there, an island in the sea of this great hall, I relaxed and mused on fact that everything had fallen into place. Eventually, the lights dimmed and the band came out onto the stage. The crowd roared with applause. As soon as the lights began to dim, I followed about 50 other cheap ticket buyers, and bolted for an empty seat closer to the stage.

HYMN

The concert was flawless. The musicians' communication must have been very subtle because throughout the entire concert, no one spoke a word, no one nodded or gave any sort of cues, but all five were in sync the entire time, playing exactly at the right time when someone's solo finished, or when there was a segue into another song, or when the timing suddenly changed to something very abstract.

Herbie played elegantly and assertively dissonant. He was Herbie Hancock: funkiness embellishing polished musical prose. Over the almost 6 decades that he's been playing music, Herbie, like Miles and Coltrane, has invented many of the contemporary rules of jazz. Much of the joy of this evening was the rare pleasure of seeing a master of masters at work and watching him have so much fun doing it.

The entire concert had a Herbie flavor. Herbie was the roux in the gumbo, holding it all together.

https://www.rockol.it/testi-di/roy-hargrove

I loved Roy Hargrove's playing. It was heartfelt, cool, and at times manic. He wasn't trying to be a diva. He wasn't trying to be another Miles Davis. Roy was an interpreter, expressing in his own language what he read from blueprints to the soul THE master of jazz. He was Roy Hargrove putting a spin on Miles tunes. The spin was the point. Miles spun.

One my favorite songs of the night was a song that Roy Hargrove wrote, called The Poet. It honors Miles and tells an emotional musical story about Miles' character. When Roy took his solo, I was particularly honed to what Roy was saying with his trumpet. As he played, he told me: if you look in your heart, look deep inside, look way down, keep going deeper, and listen really carefully, amid the discord of life you will find the answer to what you are looking for. You'll find the peaceful and beautiful melody of your deepest inner soul. But be patient and diligent because it will be fleeting; nonetheless, be privy to it. It's there and it's the peace and joy that always resides in you.

https://fanpix.famousfix.com/gallery/michael-brecker

Michael Brecker was the greatest surprise. I had never seen him play and from what I judged of his personality during the sound check, he seemed more like an emotionally repressed corporate lawyer or stockbroker than an expressive sax player. But when he sprang for a solo during the concert, he really sang from his soul; he didn't just play notes. Somehow both his contemplative stage presence and his wildly expressive solos portends his death 4 years later. Michael Brecker died January 13, 2007. The fact that I was able to see this modern sax genius is now invaluable to me.

He really showed his soul and mastery of his instrument during his solo piece, Naima, the infamous and signature Coltrane ballad. At one point during Naima, it sounded like Michael Brecker wasn't even blowing into his horn but rather screaming into it, his eyes squinted shut, his fingers ripping up and down the keys. I was amazed that someone so apparently closed could express so earnestly and honestly.

https://news.jazzline.com/news/airport-tsa-instrument-damage-john-patitucci-bass/

John Patitucci was a storyteller with his music. At the beginning of So What/Impressions, the rest of the band left the stage and gave John 10 minutes alone to tell his story. He sounded and looked like he was praying—pouring his heart out to God as he plucked deep, warm, notes from his strings.

John showed me that music is like a novel or a play—full of wit, rhetoric, surprises, and plot twists. As he was hunched over his bass, his fingers were plucking out his story, and it felt like he was leading us through a gothic castle by the light of a candle, showing the tapestries, the candelabras, the great halls. During his tour, suddenly and without any notice, he jumped hard on a low and inharmonic note. It startled me, like he was throwing open closet door with a skeleton inside. Surprises.

CODA

The band played for two and a half hours and finished with two encores. As the house lights came on people began to shuffle to the doors. I was in awe of what I'd just seen. I was glad I was alone because I didn't want to talk to anyone. I was speechless. I eventually left my seat and entered the already packed lobby. But before going out the door and leaving to find a motel, something inside me said, "Stop. Just be in this moment. Something is going to happen . . . " And there I stood, looking at ornate architecture of the concert hall, my mind poring over the concert and I wondered how I could put it all into words.

I hadn't paused for more than two minutes when my attention focused on a nearby crowd of about 10 people. They were gathering around the stage manager who had just came from back stage. I remembered him from the sound check. I heard the stage manager say to them in English, "I'll ask Herbie if he has time to see you," after which there was brief silence, a quick Korean translation by one better English speakers followed by an outburst of undefiled giddiness. I didn’t know who these giggling girls were but I decided that under no circumstances was I going to not somehow accompany them to see Herbie Hancock. A few minutes later, the stage manager came back and announced to them that they could come back inside the concert hall and after Herbie finished talking to a reporter, they could go backstage and meet them. I simply melted into their numbers as they slipped back through the auditorium doors to wait for the chance to go backstage. They were quite an intimate crowd and it wasn't long before they noticed the stray white guy hanging around. Instead of pushing me away, though, they warmly befriended me.

Apparently, they were part of an organization that is based loosely around Buddhism and celebrates world peace through music. They said that Herbie Hancock and Wayne Shorter (sax player and musical brother of Herbie for many decades) are among the organization's principle and most prestigious members. My new friends admitted that none of them knew Herbie Hancock's music very well. In fact, they admitted that they were only recently trying to learn to appreciate jazz so as to support Herbie Hancock and Wayne Shorter. It was the first jazz concert that any of them had ever been to.

During the 15 minutes that we were waiting for the stage manager to come back, I swapped email addresses with at least five people as others flashed photos of me. I was the exotic stray white guy.

Eventually, the stage manager came back and said that we could go back stage. We rushed down back hallways to a posh and dimly-lighted waiting room. Herbie was standing, talking to a reporter as a photographer busily flashed photos. Roy Hargrove, in his usual stance, half sat, half lay on a low plush chair near the wall. He looked like he'd just hopped out of a hot tub after a hard day's work—spent. His long dreads were covered by an enormous bini and he was wrapped in a gray, wool, New-York-style coat that came to his knees.

My rule against pestering celebrities for autographs was overridden by the magnitude of this moment. Having unwrapped my CD and removed the insert, I timidly approached Roy Hargrove. I couldn't help but sound like an obsequious snail as I peeped out, "Mr. Hargrove, your music was very spiritual to me." He looked at me for a moment and paused, a little surprised by my words. "Thank you," another pause. "Thank you." I could sense that this was the end of our meaningful conversation and so I asked, "Would you please?" as I handed him a pen and the cd insert. He said nothing, only flashed his autograph across my insert. I thanked him and he nodded back in a tired response, only the way a jazz cat can.

I saw the drummer (damn, I wish I remembered his name) lingering about and he politely signed my cd sleeve.

Now Herbie was done talking to the reporter and my newly adopted family, the family of the jazz challenged, was showering him with flowers and gifts and snapping photos. He smiled and happily spoke to us as a group. Even after his long performance, Herbie was amicable and appreciative of our praise. He gladly signed autographs and smiled as he smelled each bouquet that was thrust into his arms. All I could do was stand there as part of the crowd. I wanted to blurt out, like a puberty stricken high school kid, "Herbie! even if these people don't know Hancock from Handel, I know you to be a musical legend and I understand this concert in context of the last 50 years of jazz and modern music. Thank you for this concert. It is a dream come true!" My thoughts must have been printed on my forehead because just as he said he couldn't sign any more autographs, he took my cd sleeve, signed it, and graciously bowed out.

HA! Triumph! I couldn't believe this was happening to me.

Michael Brecker was standing talking to some other stage managers, and understandably loathing us for keeping Herbie, and therefore him, from heading back to the hotel and getting some sleep. His was the only autograph I was missing. I had to do it. So I approached him and told him that I loved his music and that I was a saxophonist as well. I told him he was an inspiration. Without a word, he signed my cd sleeve. Cold. The way he looks. I don't blame him. I'd be annoyed too.

THE LONE AND DREARY WORLD

We watched the band leave and then we followed out the same doors. It had begun to snow. The wind had picked up and it was colder than before. My new friends began to ask me what my plan was for spending the night. I told them about where I planned to search for a motel. They informed me that I probably wouldn't find anything there and that they would take me to a stop on the subway where I could find good, inexpensive lodging.

We hopped on the subway and chatted for the 25 minutes it took us to get to our stop. They walked me to a bright, clean jim jill bong (a 24-hr spa. . . kind of) where for six bucks you can bathe, exercise, watch TV, use the internet, eat, sing karaoke, get electronic chair massages (that was fun) or just lounge and talk to your friends and family. The jim jill bong also had communal sleeping rooms, separated for men and women.

I changed into the issued t-shirt and shorts and then sat on a mat in the corner with my journal and tried to write down as many of my feelings as possible. By now it was about 1 am and the desire for sleep soon clouded my thoughts. I grabbed a foam pillow and took a corner of the sleeping room. Other men's snoring made real sleep impossible, but I was able to take a series of short naps, which helped.

The next day, I caught a train back to Daejeon. During the two-hour train ride home, I stared out the window and thought about my entire miracle of hearing the music, meeting the band, and meeting these new friends.

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Why You Should Start Using Himalayan Salt Lamps During Yoga

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Ever seen one of these glowing rocks at the yoga studio, chiro office, or crystals/dragons/rainbow shop? What are they and what are there benefits? My wife has one of these that lights up her meditation space. Well, the following is an article sent to me by Eddie Gilani who explains all of it.

Himalayan salt lamps are incredibly popular nowadays; it seems like shops peddling these lamps are everywhere now, and there are no signs of this trend slowing down. Some people buy them because they’re a cute novelty item to decorate their homes with. But Himalayan salt lamps are more than just an attractive accessory, they can also help improve your mind, body, and soul.

What are Himalayan salt lamps and how do they work?

As the name implies, these lamps are made out of salt from the Himalayan mountainside. They can come in pretty much any color, but the most common ones are usually pink or orange. After they are mined, the salt is formed into a huge chunk which is then hollowed out to fit a light bulb inside.

Ancient civilizations were known to use salt therapy to soothe minor ailments and increase mood and energy levels. Extensive research has been done on salt therapy and whether or not it does any of the things it’s been claimed to do..

Himalayan salt lamps are known to contain the same 84 natural elements and minerals found in the human body. These lamps store vibrational energy, also called negative ions, which have a host of health benefits when released. They can also purify and detoxify your room by getting rid of nasty toxins and contaminants in the air. Himalayan salt lamps are 100% safe for humans, but you should take care to keep it out of reach of small children and pets.

Health benefits of Himalayan Salt Lamps

Reduces asthma and allergy symptoms

Nothing interrupts a yoga session more effectively than a fit of sneezing. Himalayan salt lamps naturally remove dust, bacteria, and germs from the air, allowing you to take deep breaths of pure, clean air.

Enriches your surroundings with negative ions

Negative ions, which are also found in nature, is proven to increase energy levels, promote better oxygen flow to the brain, and leave you feeling refreshed and relaxed. You could get your dose of negative ions from going out in nature, but that’s not always feasible; a Himalayan salt lamp will deliver similar results without any of the hassles.

Promotes a stronger, healthier body

You need your body to be in tip-top shape if you want to pull off more difficult poses. Himalayan salt lamps help to reduce inflammation in your muscles, preventing cramps and allowing for a full range of movement. It can also help soothe migraines, headaches, and other respiratory complaints.

Helps you concentrate during your session

Sometimes your mind can’t help but wander during yoga practice, even though you know it’s important to stay focused if you want to get the full range of physical, mental, emotional, and spiritual benefits. The negative ions in Himalayan salt lamps help to counter the positively-charged electromagnetic field we are exposed to every day, which can cause poor focus, stress, frustration, fatigue, and depression.

Aren’t Himalayan salt lamps incredible? Use one in your practice today and feel the difference.

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Guided Meditations for Sleep

Leaves Falling: The Beauty of Disillusion

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The following is a version of an article I wrote for Conscious Life News

I wish I knew the beauty of leaves falling.

To whom are we beautiful when we go?

~David Ignato

And to whom are we beautiful as we go? This poem seems to point to the fact that even in our failing, there is a part of creation and therefore a part of ourselves that can grant a magnificence to any loss.

A beautiful concept. A bittersweet truth. Perhaps this is why Autumn is so colorful: it is the opulent  funeral procession of the death of so much. It is the rush of fireworks before the quiet stillness of winter.

Shiva Nataraj

Many of the Hindu statues tell stories and offers insight which transcends dogma. The Shiva Nataraj, the Dancing Shiva, is a storytelling icon depicting Shiva, the creator of the universe, and illustrates his five acts which, in part, give understanding of death and dissolution. Through understanding the Shiva Nataraj, we too might understand "the beauty of leaves falling" as penned by poet David Ignato.

This statue depicts a person with several arms holding different tools, his hair on fire, body wreathed in flames, standing on an impish creature with one leg, and his other leg in motion.

Creation

In his first hand, Shiva holds a drum putting everything into motion through vibration. It's true that everything from the smallest particle to the largest galaxy, even the Universe itself, is in constant motion. As a musician, I love the idea of DJ Shiva laying down the backbeat that sets the Universe into motion. This represents the birth and spring in our lives and the events and circumstances therein.

Sustaining

His next hand holds a mudra or a gesture called the abhaya mudra. This Mudra is the power of sustaining. It's like Shiva is saying, "I've built this, now I'm supporting and nourishing it." For me this represents summer time when everything is in full bloom and thriving. It's also a reminder to be present, especially to our tendency to get attached to things when they are going well, or looking over our shoulder for the other shoe to drop. If possible be right in the moment as things are. The subtle message here is that things are in flux and don't get either attached or resist what's inevitably in flux.

Death and Disillusion

In his third hand, Shiva is holding a flame suggesting not to get too attached because just as soon as he will give birth to and sustain something, he'll also burn it down. This flame reminds you that not only does everything has a life cycle, but that even as things are changing and dying they do so as part of a perfect cycle. Shiva has no remorse about any of this, he simply stares straight ahead with a little grin as if to say, "This is what death looks like," meanwhile the beautiful fall colors are exploding in their passing.

Concealment

So, when you're at your lowest point, your house has just been razed to the ground and you're really hoping Shiva will give you a helping hand, he does just the opposite. His fourth arm is concealing his heart. At the moment when we are humbled and look to a higher power at our low points he covers his arm to say, "You don't learn heart of God for free." Sometimes this feels like just when you couldn't get any lower, you in fact do.

This lowest point is what Shiva is standing on, a little demon thing called the apasmara and represents the unrealized, naive or innocent part of ourselves. Shiva is standing on this representation of a part of ourselves, not in any way to be mean or spiteful, but rather as a way of literally taking a stand for our higher selves.

Revelation

And once the old self has fully been put asunder, with the only limb left, Shiva last leg is swinging upward to invite you back into the a new and elevated cycle of new birth, sustainment, death and dissolution, concealment and revelation. Here is where everything is revealed and we continue to ride the circle in a spiral of evolution and growth. After such revolutions, there is no going back. And after several times around one might begin to start to expect the different cycles as they appear.

With the full picture in mind, whenever we encounter death, change, or dissolution we can resist it less and perhaps see if for what it is, one of the beautiful steps on our way to our full understanding being.

Mary Oliver writes about learning to accept death and loss in her poem, Maker of All Things, Even Healings. I love the title of the poem because it suggests that the healing, the bringing back to life for a fuller measure of life as in the Dancing Shiva, comes only after accepting death which she does so humbly.

All night

under the pines

the fox

moves through the darkness

with a mouthful of teeth

and a reputation for death

which it deserves.

In the spicy

villages of the mice

he is famous,

his nose

in the grass

is like an earthquake,

his feet

on the path

is a message so absolute

that the mouse, hearing it,

makes himself

as small as he can

as he sits silent

or, trembling, goes on

hunting among the grasses

for the ripe seeds.

Maker of All Things,

including appetite,

including stealth,

including the fear that makes

all of us, sometime or other,

flee for the sake

of our small and precious lives,

let me abide in your shadow--

let me hold on

to the edge of your robe

as you determine

what you must let be lost

and what will be saved.

As we celebrate the panoply of fall colors, may we, too, remember the beauty of leaves falling, the beauty and magnificence of this amazing dance in which we are all twirling, living and dying.

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Yoga Nidra and The Holy Trinity: An Online or In-Person Yoga Nidra Retreat

I’m planning a special Yoga Nidra evening and I can’t wait to tell you all about it. This will be available either as an online Yoga Nidra offering or in-person, depending on where you live.

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Yoga Nidra

Click for other trainings, courses, and recordings.

Throughout history, three has always been a sacred number. Think of all the celebrated threes: body, mind, and spirit; earth, wind, and fire; Father, Son, and Holy Ghost, Brahma, Vishnu, Shiva; Shiva, Shakti, and Ganesh; Buddha, Sangha, Dharma; Bacon, Lettuce, and Tomato . . . the list is endless.

There is something cosmic and mysterious about the concept of the Trinity. One is in isolation, two is a binary, but when you add a third dimension, you open to whole larger than the sum of its parts. It’s only by transcending a singularity or duality into a trinity that true vision occurs.

Perhaps the best way to explore, and even better to experience, this unity of the Trinity, and allow it to open our consciousness into a unity of all things, is through a particularly powerful form of guided meditation called Yoga Nidra. The objective of Yoga Nidra is to open to a felt sense of Awareness, Oneness, or your True Self. One of the techniques to do this, is to explore deep and profound attention to the singularity, then the duality, and then to open to our Awareness, our True Nature, by inviting the holding of those two elements together to make a third, complete, and unified wholeness.

This isn’t an intellectual exercise. It’s a practice and an experience.

I invite you to explore your own True Nature by experiencing a felt sense of Awareness through a special evening of Yoga Nidra. It’s easy but profound. Beginners and experts alike are welcome to join this special evening. This will be held at a beautiful residence nestled into the granite majesty of the Wasatch mountains, just a half mile up Little Cottonwood Canyon.

At this special event, we will have a discussion/lecture about the nature of the Trinity, how it appears throughout history, myths, and in our own practical lives. We will move and change our bodies through gentle yoga poses to become receptive to our deeper and True Nature. Then, we’ll experience some specialized breathing techniques to harmonize our energy. Finally we will enter into a profound and relaxing Yoga Nidra practice which is specific to this concept of the Trinity and which will take you into deeper relaxation as the portal into understanding some of the mysteries of the cosmos.

This evening of Yoga Nidra will be deeper and more specialized than a class at the studio.

After we will have a Q&A followed by a potluck dinner.

You will receive an audio recording copy of the lecture, the movement and breathing practice, as well as the Yoga Nidra recording itself to continue plumbing the depths of your True Nature and expand your experience of your felt sense of Awareness.

Space is very limited. Virtual access available via Zoom if you don’t live in Salt Lake City. If you opt for virtual access you will also receive the recordings.

Saturday, November 17 5–8:30 pm Mountain Time $23

Beginners and experts welcome.

You’ll leave feeling relaxed, nourished, and with a grander vision of your life and your True Nature.

---

Truth in 15 Words

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Success isn't about fame or fortune. Success is only measured by happiness, awareness, and love.


Period.


(Drop the mic. Walk off stage)



How do YOU measure success?

 

---

I Don't Know The Name of This Bird

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White Eyes

White-Eyes
by Mary Oliver
 
In winter
    all the singing is in
         the tops of the trees
              where the wind-bird
 
with its white eyes
    shoves and pushes
         among the branches.
              Like any of us
 
he wants to go to sleep,
    but he's restless-
         he has an idea,
              and slowly it unfolds
 
from under his beating wings
    as long as he stays awake
         But his big, round music, after all,
             is too breathy to last.
 
So, it's over.
    In the pine-crown
         he makes his nest,
              he's done all he can.
 
I don't know the name of this bird,
    I only imagine his glittering beak
         tucked in a white wing
              while the clouds-
 
which he has summoned
    from the north-
         which he has taught
              to be mild, and silent-
 
thicken, and begin to fall
    into the world below
         like stars, or the feathers
              of some unimaginable bird
that loves us,
    that is asleep now, and silent-
         that has turned itself
              into snow.
 
I read this poem and imagine this Spirit-Bird wrestling with its ideas in the tops of the trees manifesting as the brilliant winter storms we sometimes experience in winter.

I think of this Spirit-Bird as something large and definitive, a creator or director, or maybe simply a grand observer, who puffs and blows the turbulence we all sense in the storms of the sky, and the storms of our lives. I imagine this Spirit-Bird as blustery at times, yes, but also as a being who ultimately touches me with Divine love, a real touch, by sending gentle, delicate, and cold kisses floating through the air in the form of snowflakes, landing silently on my face and shoulders and eyes.

Like Mary Oliver says, I don't know the name of this bird. But I can feel it whatever it is. Sometimes, it stops me in my tracks along this tempestuous journey of life, ankle-deep in dark and cold, my brow furrowed and mind brimming with business, and lifts my gaze for a moment to watch its dazzling spectacle of fat, silent flakes filter through the streetlight or moonlight.

The beauty of it all!

I don't know the name of this bird, but I can feel its breath move through me in yoga. It makes my body move and sway, undulate and reach. It arrests my busy mind and opens my eyes.

Come out of the cold, both physically and spiritually, and warm up with a yoga practice. Watch as The Spirit-Bird, or whatever name you give it, slowly unfolds its ideas and gives you divine kisses through breath and movement. Then you'll feel it too outside in the form of snow or rain or cold, anything, but nevertheless touches everything around you. 

---

To The Brim My Heart Was Full

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Do you remember learning about William Wordsworth in your high school English class? He was a big deal among the British Romantic poets, lived late 18th/early 19th century, was Britain’s poet laureate for a spell, and was the kind of poet that other poets write poems about. (By the way, in case you were wondering, this is what an English major ends up doing for a living—teaching yoga, writing about it ad nauseam, and making endless references to poetry and poets and how they are all basically pointing to the same thing—presence.)

So, as a child, Wordsworth and his siblings were basically orphaned. Though relatives became reluctant guardians, from an early age William had enormous pressure on him to choose a respectable career which would enable him to move out and support himself and his sister, Dorothy. William was incredibly close to Dorothy, who was of a social class that simply wouldn’t allow her to work.
 

His guardians expected William to become a vicar for the Church of England, a respectable career, but one for which Wordsworth had no love. William’s love was poetry, but to his guardians, poetry was the career-equivalent of homelessness.

As a young man, one early-summer’s morning, Wordsworth was walking across the meadows and heathlands toward his home at Hawkshead, no doubt burdened by the tension between following his passion of poetry and taking a job doing what others expected him to do.

As he walked, the sun began to rise and light up his senses with a splendor of the majestic landscape, also brightening and dissolving his dark and heavy worries. Soon, he was brimming with joy, drunk with the dawning light on the meadows, the dew and vapors on the heath, and a vision of the “sea laughing at a distance.” He speaks to this magical moment in perhaps his finest and most enduring poem, Prelude, in which he says,

     Ah! need I say, dear Friend! that to the brim
     My heart was full . . .

And then, with his heart brimming, with his senses thrumming, the dawning light of the morning began to work a miracle on his heart by illuminating it to the sure and deep knowing of its gift for the world as a poet. It’s as if God, the Cosmos, or Creation—whatever—spoke and made promises to him that he must follow poetry, must offer it as a gift to the world, and that it would all work out.

Check it out. In the same poem he says,

     . . . I made no vows, but vows
     Were then made for me; bond unknown to me
     Was given, that I should be, else sinning greatly,
     A dedicated Spirit. On I walked
     In thankful blessedness, which yet survives.

 

Boom! Drop the mic. Walk off stage.

 

And from that moment forward, with such clarity, joy, and peace in his heart, Wiliam never doubted his purpose again.

And speaking of the Church, with this sure knowledge of his heart’s gift to the world as a poet, Wordsworth felt he would be sinning greatly against an even higher power than the Church if he didn’t honor the vow which was so clearly made to his heart.

Spoiler: being a poet worked out great for Wordsworth. Actually, more than great because Wordsworth devoted himself to poetry and set up a house for himself and his sister where they could immerse themselves in the craft of poetry. Dorothy was also a poet and this setup gave her the freedom to write. William and Dorothy were a poetry tour de force as they lived a life of all things poetry. They would discuss, analyze, and workshop poems and upon completion, Dorothy would pen them in her immaculate handwriting.

Perhaps most importantly to William, his sister Dorothy was his purest love, his North Star, and his muse. If he would have relented to a career in the Church, he would have been exiled from his two loves, Dorothy and poetry.

 

Ultimately, my point here is that with presence you too can hear (or have heard) the vows that the world is making to your heart about your gift to the world. It may not be as public or as grandiose as William Wordsworth’s but regardless, is nonetheless just as important, the world needs it just as much, and it is your own private marriage to the world.

I always say that poets are yogis with a pen, or yogis are poets with poses. In both disciplines, one comes to know themselves, their True Nature, by practicing regular and abiding presence. Whether poet or plumber, it takes a fierce presence in conversation with that thing that is larger than all of us, but to which all play an integral part, in order to do any good work in this world.
 

This week, I invite you to practice listening. Go to a yoga class. Sit and meditate. Go on a walk and leave your phone at home. Open up to creation by drinking in your senses, a profound and delicious way of practicing presence. Listen and hear the world speak to your heart. Allow your heart to speak to your mind.

I also invite you to join me for my next Yoga Nidra course: Sourcing Your Heart’s Gift, a supportive practice that regularly takes you deep inside to hear and develop your heart’s gift for the world.

This is the last week to register!

Namaste,

Scott

---

Sourcing Your Heart's Gift: an online meditation and yoga course designed to help you to dive deep into your heart to discover and develop your purpose and courageously share it with the world.

February 12–March 25 2018

Go with the Flow: Following Your Life's Purpose

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It’s your life’s deepest work to discover, unlock, and share your heart’s gift with the world. And to know it requires a deep and regular turning inward, to learn to know your heart through regular practices like yoga and meditation.

Yoga and meditation are perfect mediums to help you reveal your heart’s gift because they simply reveal what already exists inside of you. These practices help you to come to know your True Self, and when you are aligned with this infinite part of you, the part that is tapped into your Universal blueprint, your purpose, your gift becomes clear to your conscious mind and so does the invitation to share it with the world.

As you begin to tap into your heart through meditation and yoga, you begin to hear it whisper its purpose. That message becomes clearer and clearer the more you listen. But it takes time and dedicated work to arrive. Likewise it takes work and inspiration to learn how to give this gift to the world. But when you abandon yourself to the work of discovering and offering your heart’s gift to the world, you’ll be amazed at what starts to align and proliferate in your life.

In part, this alignment happens because you’ve suddenly started swimming in tandem with the current of your life’s purpose, rather than against it. That’s not to say there won’t be obstacles in the way. It simply means that when obstacles do arrive, you’ll know that they are the ones that were meant for you and that will give you the courage and insight to surmount them.

Enter your email address to receive one of the most relaxing and profound methods of meditating I've ever experienced. This will help you to regularly listen to your heart. Then, I'll send you some of my best practices for meditation. Regular meditation will begin to uncover the jewel of your heart and teach you things about yourself you didn't know, namely it will refine or define your heart's gift for the world and will help you to learn how to share it with the world. 

Please join me for my next online Yoga Nidra, yoga, and optimization course beginning on February 12 2018

Sourcing Your Heart's Gift 

an online meditation and yoga course designed to help you to dive deep into your heart to discover and develop your purpose and courageously share it with the world.

February 12- March 25 2018

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Sourcing Your Heart's Gift: What is the Meaning of Life?

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What is the meaning of life? Specifically, what is the meaning of YOUR life?

What if Vincent Van Gogh were a Real Estate Agent, Rather Than a Painter?

What is a heart’s gift? It’s that thing a person was put on Earth to share and by so doing makes it a better, more-evolved, and more beautiful place.

Your heart’s gift is the thing that only you can offer the world, in the way that only you can offer it. Your heart’s gift can be public or private, subtle or grandiose, but it is what you were meant to share.

Can you imagine a world where everyone shared their heart’s gift?

Watch this video to understand how to understand how you make make the biggest difference for the world and find the greatest personal satisfaction in life.

an online meditation and yoga course designed to help you to dive deep into your heart to discover and develop your purpose and courageously share it with the world.

February 12- March 25 2018

Please share this with your friends! Thank you!

Join me for the retreat of a lifetime!

May 26-June2 2018

I Have A Dream

I’ve recently updated this since originally writing this a few years ago. I hope that we will all meditate upon this message. Thanks and Namaste.

12 hours before the March on Washington, where Dr. Martin Luther King Jr. would deliver his iconic I Have a Dream speech, he still didn't know what he was going to say. But on that historical day, August 28th 1963, Dr. King lead the march, and on the steps of the Lincoln Memorial delivered one of the most important speeches in American history. 

In his speech, Dr. King references the opening lines of Shakespeare's Richard III's when he said, "This sweltering summer of the Negro's legitimate discontent will not pass until there is an invigorating autumn. . ." portending the change of season in America's social climate.

But toward the end of his speech, something miraculous happened. The famous gospel singer Mahalia Jackson was nearby and used her commanding voice to shout, "Tell them about the dream, Martin."

At that point Dr. King stopped delivering his prepared speech. He stood powerfully and began preaching to the quarter of a million people in attendance on the lawn of the memorial, and prophetically to the millions and millions of people who have since heard his words, punctuating each point with "I Have a Dream."

According to U.S Representative John Lewis who also spoke that day, "Dr. King had the power, the ability, and the capacity to transform those steps on the Lincoln Memorial into a monumental area that will forever be recognized. . . he educated, he inspired, he informed not just the people there, but people throughout America and unborn generations." more than 50 years later, we are those generations.

Part of the power of Dr. King's I Have a Dream speech was his important references. In it, Dr. King references not only Shakespeare, the Bible, gospel spirituals, political and religious leaders, the Emancipation Proclamation and the Constitution, but also Dr. King's speech and entire social message was a strong, tacit reference to the principle of non-violent revolution for the sake of making lasting social change. This principle of non-violence was championed by the social revolution led by Mahatma Gandhi who referenced the ancient Yoga Sutras.

In Sanskrit the word Ahimsa means non-violence. The Yoga Sutras state that in order to become one's highest self, one must embrace the seminal principle of non-violence which is truly the gateway of unconditional love.

In fact, Dr. King was so inspired by Gandhi that in 1959 he visited Gandhi's birthplace in Gujarat, India. This visit left a profound impression of the concept of non-violent civil disobedience and further strengthened Dr. King's commitment toward America's struggle for human rights. And just like in India, it was a non-violent revolution that drove lasting change in America's social attitudes.

In his speech, Dr. King also references transformational heat. In the Yoga Sutras, Tapas is defined as the heat necessary for transformation, like pottery fired in a kiln. Yoga means union. In yoga, we practice implementing this transformational heat to bind body, mind, and heart in our own person to work toward our highest self. With this proverbial heat, we then direct and bind the larger body of our family, our community, our nation, and our world in the spirit of its highest self. Growing pains are evidence of Tapas.

Certainly there were growing pains in the Human Rights Movement. This heat was Rosa Parks refusing to give up her seat on the bus. It was The Montgomery Bus Boycott in 1955. It was The March on Washington in 1963. It was Bloody Sunday in 1965. The heat that causes change can be necessarily uncomfortable, sometimes outright painful. Dr. King was on the burning tip of the spear of social transformation, a searing heat that would eventually take his life.

The refiner’s fire is not over. We are still being refined. Today we feel this heat in the form of George Floyd, Breonna Taylor, Treyvon Martin, and countless others who died mercilessly and needlessly at the hands of law enforcement. This heat has given birth to the Black Lives Matter movement and again, like in Martin Luther King’s day, sending millions to the streets to protest and march for justice, equality, and to bring to pass the vision so eloquently prophesied by Martin Luther King. Jr.

March on Washington and the marches associated with the Black Lives Matter Movement are signals announcing America's transformation of becoming a greater nation. There is a desperate need for this march to increase its speed so that we no longer have to repeat this nation’s violent history.

Yet, we cannot wait for someone else to change. Transformation starts with an individual. Gandhi said,

"If we could change ourselves, the tendencies in the world would also change. As a man changes his own nature, so does the attitude of the world change towards him.... We need not wait to see what others do."

How are YOU willing to step into that heat of personal transformation?

Are you willing to personally grow to ensure a strong body, bright mind, and open heart and grow into your highest potential?

Are you willing to stand up for an injustice?

And how do we make that change both as an individuals and as a nation that allows all parts to grow stronger rather than being cut or compromised?

Surely this is a difficult task. To ensure mutual growth, we must change while practicing non-violence, Ahimsa. Domestic terrorism like the coup on our nation’s capital in 2021 is not the answer. Yet, we can stop that downward spiral of negativity first by protecting ourselves and our nation against harm. Then, we must protect our hearts against harm by refusing to allow ourselves to hate another person, even if they hold extremely different ideologies.

Like Gandhi and Dr. King discovered, Ahimsa is both the personal and global non-violent revolution that makes lasting change. Whether it's internal change like greater mindfulness or a more healthy body or external political or social change like gun control, same-sex marriage, political partisanship, undocumented immigrants, or anything else, the question is how can we instigate a change that invites all parts to grow in the process?   

We've grown as a nation since 1963 but we still have much more to do to honor all the beings who live here. It is because of leaders like Martin Luther King Jr. that we have a strong foothold on freedom, a firm platform where we can step into America's future and truly become the nation that as prophesied by Dr. King, one where people can dare to dream. We can't go back and we can never unlearn what we've learned. We must march forward and doing so with love despite our violent past, will ensure lasting change.

We can move forward. We can grow individually and as a nation by referencing the past. We can reference both the failures of social inequality, and the inspiration of the I Have a Dream speech, as mile markers that will direct us toward protecting the freedoms that make us all grow closer to actualizing our highest potential, individually and as a nation.

And we can use the principles of non-violence through understanding the principle of transformation to help us in this pursuit. We can march forward toward a future where, like Dr. King says, children of all races (and I believe given current social and political issues he would include people of all sexual orientation, documented and undocumented immigrants, gun lovers and gun haters, Republican and Democrats etc.) could all hold hands and with exuberance shout the refrain, "Free at last! free at last! thank God almighty, we are free at last!" 

Let freedom ring and let it first ring from within.

Join me this week as we continue Dr. Kings legacy by practicing transformation through non-violence and growing individually as the first step to continuing our growth as a nation.

Mindful-Mojo for 2018

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Friends,

It's 2018, we made it!!

2017 was quite a year . . . (let me catch my breath)!

A few big events that stand out for me were: 

• Moving to New York (that was a big one)

• Co-raising a 2-year-old (that's an even bigger one)

• Learning to be a yoga teacher in NYC and learning how to take my yoga online

• Some incredible yoga retreats, including my San Francisco Yoga Tour, Dream & Write with Nan Seymour in Idaho.

• Mentoring some incredible yoga teachers

• Co-teaching a Restore Yoga Immersion

• An incredible vacation to London

• A wonderful trip to D.C.

• Some great writing opportunities, including writing with Conscious Life News, regarded as one of the top 3 consciously-minded online journals on the web, as well as having my blog considered for the top 25 yoga blogs in the country by Thoroughly Reviewed. 

But that was so 2017 . . .

2018 is going to be really, really good for me, I can feel it, and I feel like 2018 is also going to be good for you, full of possibilities and opportunities. And with a little mindful-mojo, you and I can shape this year to be our best year yet.

There is immense power at the beginning of any year. There's energy to create and build, there's power of clarity and insight, and there's a determination to continue moving forward, driven by hope and the human spirit of growth and evolution.

Open your body, mind, and spirit to untold possibilities in 2018!

Like I mentioned last week in my message about The Cosmic Taco, there's untold power in simply knowing what you want, even if you're not sure how to get there.

A mentor once told me, "First, figure out what you want, then you'll figure out how you'll do it." Both understanding what you want and setting the intentions for possibilities in the new year takes practice.

So, I've created a special Yoga Nidra practice designed to help you sow the seeds of intention deep within in your mind and heart. Visualization is very effective for outcomes and performance because if you can see it, you can achieve it.

This recording will help you become very relaxed, while helping you to define what amazing things you want for yourself in this new year and then visualize what your life is going to look like when this thing happens.

Get ready to rock and roll because it's going to be good!

The meditation is about 31 minutes long, so plan on setting aside just a little bit of time take care of yourself in this way. 

I invite you to do it today. What are you doing right now? Can you give yourself the next 31 minutes to set in motion an incredible year?

Don't worry if you fall asleep, the part of you that I'm speaking to is still paying attention. Plus you can always do it again, refining your vision and intentions. 

I've made two versions, one with background music, and one without. I like the one with the music (a drone) in the background. It's light and nice. You can stream or download them by clicking the buttons below. 

Please share it with anyone you can think of. Consider practicing it regularly, maybe daily for a week or so, then at least once or twice a week after that. Come back to it regularly to keep your mind and heart honed to your forward motion of 2018. Then, tell me about it. I'd love to hear what happens as you do this practice. 

Speaking of what's to come, SOMETHING AWESOME THIS WAY COMES. In January, I'll be unveiling something that has everything to do with understanding and sourcing your gifts to be an extraordinary presence in this world. Stay tuned . . . 

Lastly, I love hearing from you! If you have literally 60 seconds, would you mind replying to this email and telling me two things:
1. Why do you practice yoga and or meditation?
2. What do you feel you need most in your life? 

Happy New Year! 
Tell me how the New Year Yoga Nidra goes

Namaste

 

The Cosmic Taco

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2017 is making its final bows while some of us are throwing roses and others are throwing rotten tomatoes. And some of us are putting in our orders for our Cosmic Tacos. Stay with me . . .

Regardless of what you’re throwing as 2017 leaves the stage, it’s an important time to start thinking about 2018. Intentions and vision for what's to come really make a powerful difference for the direction of our lives. During the last week of the year, this is the time to quiet and clear our minds and get really clear about what we want.

The Cosmic Taco

Several years ago, I had to leave the place I was living and find a new place. I was dragging my feet, procrastinating and just couldn’t find anything I wanted or liked or would work for me. It dawned on me that I wasn’t even really sure what I was looking for, what I really wanted. So, I sat down, and literally in 2 minutes, I listed about 15 things on a piece of paper that I wanted in a new place to live, down to the amenities, price, location, and even the era of design and construction for the building.

The. Next. Day. I found the exact place I’d envisioned which met every single one of the criteria I was hoping for. It taught me that it really pays to know what you’re looking for. I told this story to a friend who said jokingly that I have such a way with fate that if I ordered a taco to the Universe and held out my hand, one would magically drop from the cosmos.

An idea was born: The Cosmic Taco. Essentially, the gist is that the Universe doesn’t know what you want on you taco unless you put in your order, so go ahead and get specific.

Here’s your homework:

Spend the next week, just clearing your mind. Do a some meditation, take some yoga classes, listen to some Yoga Nidra. Then on or before December 31st, sit down and put in you order for your Cosmic Taco. In other words, how do you want your life to look? Be very specific. Like one of my mentors says, shoot for the stars but keep one foot grounded in reality. Do it. What do you want your relationships to look like, your finances, your drives and goals? Just putting it out there will start a new world of magic to begin to open up to you. I promise.

Then, on January 1, start to do whatever goals you set for yourself. You’ll be surprised at how easy this all comes, especially if you’ve spent the time to open yourself to mindfulness through meditation and yoga. When your highest self is driving, you find that everything flows with the Universe much easier. Essentially they are one and the same.

I’d love to hear how it goes. Comment below or email me at scott@scottmooreyoga.com for questions or help on this.

Happy end of 2017, my friends.

Yoga Poses for Sleep

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Sometimes, getting to sleep is a process, one that involves a conscious winding down and changing of energy from waking to sleeping. One excellent way to wind down is by doing a few gentle yoga poses for sleep which take any frenetic or awake energy and helps change that to relaxing and sleep energy.

These yoga postures promote grounding, calming, and drawing inward. As with every pose, listen carefully to your body and never stretch beyond what feels comfortable. The goal of these poses is not to become flexible per se, but rather to flip the energy in your muscles from tension, which nags your nervous system and can prevent you from sleep, to a sleep-conducive feeling of ease, lightness, and vitality.

Hold each pose for at least 10 breaths (or 10 breaths per side) using ujjayi breathing (whisper breath). Aim to inhale for 5 seconds and exhale for 8 seconds. Refer to the Pre-Sleep Breathing Exercises to learn more about ujjayi breath and the importance of the 5 to 8 ratio of inhale to exhale. You may also watch my friend, Matt explain it here. Regular, deep breath, combined with visualizing your breath moving into your lower-back, pelvis, and legs, will decrease the energy moving to the awakening, upper chakras (energy centers), and will instead help you to become grounded and rooted in the lower chakras.

 

Yoga Poses for Sleep

Janusirsasana: Head toward Knee Pose

This posture draws body, mind, and spirit inward to prepare for sleep while releasing tension in legs and back that can radiate into emotional or mental tension.

If you are tight in your hamstrings, feel free to bend your extended leg (the one receiving the stretch). Visualize your breath and energy moving into the area you are stretching and if you are feeling a sharp pull behind your knee or high in you butt (the attachments of this muscle), bend your extended knee.

 

Paschimottanasana: Westward Stretch

This posture also draws body, mind, and spirit inward to prepare for sleep by releasing tension both in the legs and the lower back. This pose evokes a personal solace, retiring, and quietness. It’s nice to close your eyes in this posture and direct your breath and energy to move into your low-back and legs. Bend your knees if you need to.

 

 

 

Suptakapatasana: Supine Pigeon Pose

This is one of my favorite poses. This grounding posture relaxes and supports your back by lying flat while stretching some of the muscles that largely contribute to tight hips and lower-back, including the Piriformis muscle, deep under your glutes in your butt.

 

 

 

 

Jathara Parivartanasana: Supine Twist

This pose is excellent for wringing out tension from the nervous system as well as the deep and superficial muscles in the back. Italso gives a gentle twist to the abdomen, helping digestion and releasing the Serotonin (feel good chemical) which is activated by your gut.

It’s important to ground both shoulder blades, even if you need to put a pillow between your knees or under your bottom leg.

 

 

Suptabaddhakonasana: Supine Cobbler’s Pose

This relaxing pose passively stretches the inner-thigh muscles (adductors) and grounds your energy for good sleep. Be certain to support both knees with cushions. You may choose not to lie on a cushion if it makes your lower-back hurt.

Join me for the retreat of a lifetime Along Italy's Amalfi Coast May 26-June 2 2018. Spots are limited!

(Teddybear optional)

I'd love to hear from you about what helps YOU to fall asleep. Are there any poses you love that help you to fall asleep?

Guided Meditations for Sleep: It's Finally Here!

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I’ve been teaching yoga and meditation for more than 15 years and one of the needs I hear most from my students is the need for better sleep. I hear that need literally by the many snores in savasana. So many of you have asked me to put something like this together and I'm so happy to tell you that finally, it's here!

As a culture that values productivity above almost everything else, the one things we seem to sacrifice most is our need for good sleep.

I don't have to tell you that good sleep promotes wellness in body, mind, and spirit, and helps you to be alert, productive, and fulfill your purpose for being on the planet. So much is riding on your ability for good sleep, so let’s learn how to do it well.

This week, I've shared with you the ways that meditation helps us to quiet our minds to get that good sleep we really need. Now, the theory is over and it's time to put this into action.

I've incorporated my 15+ years of experience teaching meditation and yoga, and I've put a lot of time and energy, into creating Guided Meditations for Sleep™. My intention with this product is to help people be at their best because they have learned the yoga of how to get really, really, solid sleep. 

Guided Meditations for Sleep™ is a complete system designed to promote deep, nourishing, and peaceful sleep. It incorporates body, mind, and spirit to relax the nervous system, still the body, and quiet the mind, to train yourself to get excellent sleep. It also gives you productive ways to help you get back to sleep in case you're someone who wakes up a lot during the night. 

Check out everything contained in Guided Meditations for Sleep:

• Welcome Letter & How To Use This PDF
• 5 Guided Meditations for Sleep audio recordings
• Body Scan with Deep Relaxation (31:15)
• Body Scan with Deep Relaxation with background music (31:15)
• Dream imagery Relaxation (28:25)
• Dream Imagery Relaxation with background music (28:25)
• Sanctuary Practice (10:21) Awesome!
• Pre-sleep Breathing Techniques audio recording (10:02)
• Pre-sleep Gentle Yoga Stretches PDF
• Pre-sleep General Guidelines for Good Sleep PDF
• Pre-sleep Checklist PDF
• Why Mindfulness Helps You Sleep PDF
• Tech Tips PDF

Check out what people are saying about Guided Meditations for Sleep™

Check out what people are saying about Guided Meditations for Sleep™:

"Best sleep I've had in weeks!"~ Nan

"Scott's calming voice helped me to first focus, then relax and meditate. The next thing I knew I woke up, having drifted off." ~Chris

"Your voice was perfect. It was calm, relaxing and inviting me to relax and get myself ready for sleep.  When I finished the tape I immediately fell asleep.  When I woke up I felt like I had experienced a deep sleep." ~Carol

"These relaxation visualizations really work! I can sleep much better now." ~Steve

"Scott has the ability to nurture and empower at once, connecting you with your own heart to find that which you need the most. Scott is a humble loving guide." ~Marit

And for everyone who buys Guided Meditations for Sleep™ this weekend, I'm including a bonus recording of original music, the profoundly relaxing Clarinet Lullaby with Ocean Soundscape (30 minutes.) You're going to love this! 

You might find other recordings out there that use meditation to help you sleep but nothing is as effective, extensive, and enjoyable as Guided Meditations for Sleep™. In fact, you’ll most likely never know what is in the last several minutes of each recording because you won’t be able to stay awake.

Plus, Guided Meditations for Sleep™ is a digital download so you will get it even faster than Amazon Prime! You'll be able to download it immediately and use it tonight for an incredible night's sleep! 

I want to make this affordable so I'm only charging,

$29.

Guided Meditations for Sleep™ is second only to hiring me to personally come and tuck you in...now there's an idea. 

I absolutely loved putting this together and I hope you love it too. I really wanted to spend the time and effort to make this great because I understand how important it is and wanted to give it my best.

So, you can buy a different guided meditation CD online for $15, or go to iTunes and download something for cheap. Hell, you can even go to YouTube and watch a video for free. But what I've created, I feel, is something special which is hugely valuable and I designed it with YOU in mind. You'll have this in your digital library for years to come. 

There's so much content here that I think you'll agree that is well worth the price.

Plus, I stand behind my work so if you're not completely satisfied with it, I'll refund your money, no questions.

You're going to want to check out these samples (click below) and buy Guided Meditations for Sleep™ today.

Remember that if you buy it this weekend, you'll get the mellifluous sounds of Clarinet Lullaby with Ocean Soundscape (30 minutes).

Namaste and nighty-night,



Scott
Ommmzzzzzz

You'll love the visualizations, the detailed and easy-to-follow pre-sleep breathing practices and yoga poses, as well as essential sleep information to cultivate your stellar sleep habits. This is so much more than just a recording.

This system even guides you through the process of creating your optimal sleeping environment, then you slip into bed and listen to me lull you to sleep. It's so nice!

One thing I've learned in my many years of teaching is that everyone has a beautiful life to live and that everyone's pathway to wholeness is different. Nobody knows what you need better than you. So I've built Guided Meditations for Sleep™ to work with all kinds of brains: the analytical, visual, musical, instructional, etc. Surely there's something in here for you. 
 

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It's Not Falling Asleep, but Staying Asleep That's My Problem!

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Many of you responded to my last blog post about sleep and said,

"It's not falling asleep, but staying asleep is my problem." 

For many people, falling asleep isn’t the problem, but it’s staying asleep. And what to do about it?

James Findley, Ph.D., CBSM, clinical director of the Behavioral Sleep Medicine Program at the University of Pennsylvania says that sleep is cyclical and that we come in and out of sleep regularly. However, when we have an awakening (and not the zen kind we are searching for in our yoga and meditation practice), and can’t get back to bed for 30 minutes or more and it happens 3 times a week or more, then there’s most likely a deeper problem.

Some potential causes for waking up could be the following:

Sleep Apnea. Perhaps you’re not getting enough air as you sleep, causing you to wake up. If you sleep with someone else, they might be better at noticing if this is the case. CPAP machines restore this in a jiff.

Indigestion. Maybe you’re eating too much before bed or the wrong kinds of food for your stomach and it’s not allowing you to rest.

Active Bladder. Unfortunately, as you age, getting up in the night to use the bathroom becomes more frequent. Also, some medications for high blood pressure can act as diuretics and can make you need to get up and use the bathroom. It’s nice to hydrate before bed but notice how much you’re drinking if nocturnal bathroom visits become too frequent.

Environment. Dr. Findley (above) recommends you make your bedroom into a sleep cave, similar to what I describe in an exciting new product which launches on Friday, in a section called Pre-Sleep General Guidelines. Perhaps use an eye mask, blackout shades, and turn your alarm clock away from your face.

Noise. If you’re very sensitive to noise, what works better than trying to soundproof your bedroom is to listen to white noise. Through a process called habituation your brain stops listening to noise when it’s a repetitive and consistent noise. Nature sounds are irregular and don’t work as well as white noise.

Alcohol. Alcohol disrupts sleep and doesn’t allow you to pass through all the stages of sleep. You spend more time in Deep Sleep and less in R. E. M. and disrupts sleep in this stage.

Caffeine. Caffeine disturbs  sleep, specifically your ability to access the deeper stages of sleep, R.E.M and Deep Sleep, the stages where your mind and body rest and repair. Even if you feel you’re relatively unaffected by caffeine, especially in your ability to fall asleep, caffeine can stay in your system for up to 48 hours and might be inhibiting you from getting the really good sleep.

Stress. Dr. Findley emphasizes this as a big factor for disrupted sleep. In part, this is why Guided Meditations for Sleep is so effective because it not only helps you get to sleep but perhaps more importantly trains you to weed out stress and arrive and peaceful and prolonged sleep.
 

So, what do I do when I wake up in the night?

First of all, don’t stress about it and make it worse. I discuss this deeper in the Pre-Sleep General Guidelines in what's coming on Friday, (hold tight). Try listening to a guided meditations or lead yourself through the Countdown Meditation I mentioned in my last post.

If after 30 minutes you’re still awake, don’t stay in bed. Get up and go to a different room to do the Pre-Sleep Yoga Postures and Pre-Sleep Breathing Techniques (wait for it, wait for it). This could also be a good opportunity to do the Sanctuary Practice (you guessed it). Also, reading is helpful.

Avoid technology. It’s very stimulating for many reasons but mostly because of the blue light which most devices emit which makes your brain think that it’s daytime and ready to get up. 
 

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We spend a third of our entire life sleeping. The difference between good sleep, mediocre sleep, or no sleep can be a game changer for your fulfillment of the waking two-thirds of life. Much is riding on our ability for and quality of sleep so let’s learn how to do it well.

I’ve been teaching yoga and meditation for more than 15 years and one of the things I hear most from my students is the need for better sleep. I hear that need literally by the many snores in savasana.

As a culture that values productivity above almost everything else, the one thing we seem to sacrifice most is our need for good sleep. Therefore,  we are chronically under rested. Better sleep means a better life. It promotes wellness in body, mind, and spirit, and helps you to be alert, productive, and fulfill your purpose for being on the planet.

I'm so excited for what I'll be unveiling on Friday. It's going to revolutionize the way you sleep. Stay tuned . . .

Sweet Dreams,

Scott

Magic Words for Happiness

Throughout time there have been stories, myths, and legends where people merely have to utter some magic words, a spell, or mantra, and POOF! their desires manifest magically before their eyes.

Even if you don’t believe in “magic words,” I’ve discovered a real-life mantra which are magic words for unfettered happiness. Well, almost. Actually it’s even better than it sounds.

I don’t know how I discovered this mantra, perhaps it found me.
A few weeks ago, I was running around Prospect Park in Brooklyn, New York, pushing my snoozing two-year-old son in the jog stroller. The autumn temperature was beautiful and crisp, ideal for a run. The diffuse afternoon sunlight was filtering through the rice-paper sky of wispy clouds making the panoply of fall colors practically burst each tree into flames. My lungs were breathing deeply and effortlessly in sync with my footsteps making my head feel clear and my body feel alive.
 

That’s when these magic words just popped out of my mouth: “This is EXACTLY what I want to be doing in this moment!” I repeated it a few times, feeling ever more enthralled with each repetition.
A few days later, while at the playground watching my kid play with all the other kids, I stepped back and repeated that same magic phrase, “This is EXACTLY what I want to be doing in this moment.”

Again, a week or so later,  I was taking an ordinary walk and not really feeling much of anything and decided to try the phrase again to see what would happen.  “This is EXACTLY what I want to be doing in this moment.” Again, almost instantly a wave of happiness and contentment washed over me.

Then, I decided to really put this mantra to the test. A few days later, when I was feeling particularly crabby, and despite my own momentary cynicism about this mantra, I somehow found the fortitude to whip out these magic words, “This is EXACTLY what I want to be doing in this moment,” even though suffering these tight, constricted feelings in my chest caused by crabbiness wasn’t what I wanted to be doing in this moment.

I’ll admit, crabbiness didn’t disappear instantly: I didn’t immediately start dancing and singing around the streets of Brooklyn, like the Maria von Trapp. But it did have a remarkable effect on me by pulling me into the present moment and my crabbiness did subside by substantial degrees. The presence this mantra gave me was to look objectively at the emotions in the moment as physical sensation and adopt the vantage point of observer rather than victim of the circumstances which led me to being crabby.

Cuz, I think this is the thing, here: the magic of this phrase is that it locks me into presence. It wakes me up from projecting to past or future and opens my eyes to HERE.
 

We stop blackmailing our happiness by insisting that we will only feel happy when the circumstances in our lives align to ways we think they ought to be.

When we take a good look at HERE, we realize that this moment is not only void of the stressors or worries that past and future want to impose on our minds, but most often, this practiced attention to the present helps us to see all the beauty that surrounds us at all moments, perfection which is often masked by momentary emotions that cloud our vision.

The Yoga Sutras point to a foundational pillar of our own evolution called Santosha, which means the practice of personal contentment. When we practice this mantra, we are practicing Santosha in a practical and real way.

Taking it one step deeper, ancient yoga wisdom also states that our most natural comportment is that of boundless equanimity, a joy that exists despite the events or circumstances of our lives. 
 
By dialing in to the perfection of this moment, we cultivate our own capacity for contentment. Soon, we train ourselves to experience this natural contentment as the underlying natural way of being, which is always present, despite events and circumstances.

Warning: Crabbiness, and all the other negative emotions will continue to surface. But with practiced presence, we cultivate Santosha, contentment, and these emotions will have less and less power to pull you away from presence. In fact, with practice we can use those negative emotions, and all temporary emotions, as a way of feeling into this moment and becoming more present.

This may be a lifelong practice to perfect. Just take it moment by moment.

I invite you to practice these magic words, “This is EXACTLY what I want to be doing in this moment. ” Starting today, cultivate your own capacity for deep, lasting contentment and a happiness that isn’t dependent on events or circumstances.

I’ve recorded a Yoga Nidra (guided meditation) that feels amazing by cultivating this joy beyond events or circumstance. It takes about 30 minutes.
 

If you use social media maybe capture the moment with #thismoment

Join me for the yoga retreat of a lifetime along Souther Italy's Amalfi Coast, May 26-June2

The World Needs YOU to Teach Yoga

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Can you remember a yoga class that really changed you?

This email is for my everybody, but especially my yoga teaching friends or those who might be interested in teaching Yoga.

Have you had a yoga class that for some reason really moved you? What was it about that class that made such a difference? What did that teacher do that moved you so much?

If you're a teacher, do you realize that YOU have the power to powerfully touch people's lives like no one else can? It's true. Your unique, gifts, interests and talents make you uniquely qualified to touch people in a way that only you can. 

Ever wonder why your yoga classes aren't thriving, or you're feeling a little burned out with teaching, or questioning whether or not you even want to teach anymore? Do you wish you were making more money teaching yoga so you could quit your day job and only teach yoga?

One reason your teaching and opportunities aren't thriving could be because you're not tapped into and teaching from your own authenticity.

When you're teaching what you love, what interests you, and what you're not only passionate about but what you know a helluva lot about, teaching is not only effortless, it is abundant. 

If you read my 2nd to last blog post, I spelled out the formula for success as given me by my favorite business prof in college, which I live by, and truly believe. He said:

Interest breeds excellence. Excellence breeds opportunities.

When you are teaching what interests you, what you're passionate about, your excellence, your natural talent for teaching, rises to the surface. Opportunities arise as you attract the people who are pickin' up what you're puttin' down. 

Don't worry about the rest of the people who aren't interested in your offering. Other teachers with other gifts will teach them.  

If you're interested in optimizing your teaching and learning how to grow your opportunities to teach yoga, and get paid what you're worth, I'd like to invite you to attend my live and online Yoga Teachers Workshop this Saturday, November 11th at 2 pm ET, 1 pm CT, 12 pm MT, 11 am PT.

It's virtual so you can do it from your own home. Besides learning key principles about teaching and the biz of yoga, you will meet with teachers from all over the country for discussion and networking.

Also, if you can't make the time, I'm recording the audio/video so you can still register and watch it later. 

In this workshop, I want to share with you some of the invaluable things I've learned over 17 years of teaching yoga, not only about leveraging your gifts for extraordinary teaching, but also about some of the industry secrets to make a living which I've learned over in the past 17 years.

There's a good chance you can write this off on your taxes, plus it counts as hours for continuing education for Yoga Alliance.

This could be the most valuable workshop you will ever attend for you yoga teaching and your career.

Plus, I'll give you your money back if you don't think it was worth your time.

Join me!
 

Check out what one of my Mentor Students said about my yoga teachers coaching:

“I have followed Scott’s career for years. He is someone who walks his talk and shows his deep knowledge for all things yoga in every class or conversation. He is extremely grounded and dedicated to this work. As a mentor, Scott was literally “an all things” coach to me. He helped me overcome mindset of owning this soul calling of teaching and supported me in times of doubt. He helped me discover my strengths as a teacher, ways to make this into a thriving business and conceptualize an idea into a breathing business. From technical help on my website to marketing and deepening the mechanics of teaching, he helped me with all of it. He is extremely professional with a very personal approach. He truly cares about his clients and the integrity of this work. I am so grateful for this program to work one on one with such a well-rounded leader in the yoga space. ” J.J.

Details

How much: $45

When: Saturday, November 11th 2-4 pm ET, 1-3 pm CT, 12-2 pm MT, 11 am to 1 pm PT

Where: Your house, via our virtual learning space. You'll need a laptop, computer, iPad, or smart device with an internet connection. 

Learning My Calling

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In 2003, I had only been teaching yoga for a few years.

I was a new yoga teacher trying really, really hard to make my living by only teaching yoga. My skills were average, I didn't have many teaching gigs, and the ones I had didn't pay very well. I was in a bind because while I loved teaching yoga, I needed to provide for my family. I had to make a change.

So one evening after class, I announced to my students that sadly, I was going to have to quit this yoga thing and get a "real job."

After class, a student and friend named Cristy, approached me with tears in her eyes and pleaded with me, "you CAN'T quit! You do what you do so I can do what I do. I'm a mom of 4 kids under the age of 5 and I need you to teach yoga." This conversation would change my life. 

True, I needed to start earning a living, but my conversation with Cristy showed me just how important yoga is for people, that the world needs good yoga instruction. Suddenly, I felt as though the world was callingme to teach yoga. And while I didn't even know if one could support themselves on something like teaching yoga, I was going to give it a try. 

So, rather than quitting the yoga thing and finding a different job that would simply pay the bills, I decided to take a risk and go all in with yoga. And bit by bit, I started to get more teaching opportunities. The more I taught, the more skillful I became. It took a while, but eventually I was thrilled to be making a living by teaching yoga.

Norm Nemrow

After a few years of teaching yoga full-time, I had learned those essential tools I needed to help me be a more effective teacher. The better I got at teaching, the more opportunities came my way. Eventually, I had more great-paying teaching opportunities than I could handle and had to give most of them away to other teachers!

It reminds me of something that Norm Nemrow, my favorite business prof in college told me. He gave me his simple formula for success:

Interest breeds excellence. Excellence breeds opportunities. 

Certainly, I was experiencing the fulfillment of this promise. And all these years later, I'm still at it.

I'll never forget Cristy who reminded me how important yoga can be. I take that very seriously and endeavor to give my all in every class I teach. 

I believe that the world needs good yoga. I feel like teaching yoga is how I do my part to make the world a better place. I believe that when people are skillfully guided to to connect body, mind, and spirit through yoga, they can meet their personal conditions to do what they do to make the world a better place, be that being a mom, lawyer, doctor, Crusty the Clown, or whatever. 

Thank you to all of you who believe in me and have encouraged on this path. I truly love it!

I'm truly passionate about teaching yoga. If you are too, I'd love to continue to make the world a better place by helping other teachers learn what took me so long to learn about how to teach effectively and make a living doing so. 

I'm offering an online Yoga Teachers Workshop this Saturday. I'm doing it online and recording it so you can join from wherever you live and if you can't make the time work for you, you can watch it when is most convenient for you. 

Do you have a calling? Is it also to teach? If so, how did you know you were supposed to teach yoga. If not teaching yoga, how did you know the calling when you did? Leave messages in the comments section below. 

 

Join me for the yoga retreat of a lifetime along Southern Italy's Amalfi Coast May 26-June 2 2018.

Nothing But My Underwear

In September of 2011,

I participated in Salt Lake City’s first ever Undie Run. The concept is simple: run with thousands of other people . . . in nothing but your underwear.
 
Why? Some people tried to make the Undie Run, this display of flagrant deviance, of wanton exhibitionism, demonstrate some deeper meaning. They tried to assign it as a protest by uncapping Sharpies and scrawling half-hearted grievances on their nearly-naked bodies. But it was clear by the gayety and silliness of everyone involved that this was really about simply letting your hair down in a city known for its tight-laced morals and demur etiquette.
 
I had agreed to meet a friend of mine at the starting line of the Undie Run, at a place called The Gallivan Center. The Gallivan Center is a large public space, in downtown Salt Lake City, perfect for concerts, festivals, and as fate would have it, thousands of people dressed in nothing but their bras ‘n panties or tighty whities ready to run to the State Capitol and back.
 
I’m not normally prone to public nakedness but thought the Undie Run might put me a little out of my comfort zone and be a lot of fun. I know that getting out of my comfort zone is often the key ingredient to personal growth. Little did I know, however, just how much out of my comfort zone this would put me and how much personal growth I’d experience.
 
I drove to the Gallivan Center and parked in the parking garage. Nervous, I got out of my truck, and with a brave and bold resolve, stripped down to nothing but my favorite pair of unds, running shoes, and just to play it safe, my hands-free device—you know, in case I got an important call while on my run.
 
Feeling very exposed, nervous, and alone, I walked by myself through the parking structure toward the entrance point of the Undie Run. Once at the Galiivan Center, I’d luckily be met by the thousands of other people also in their underwear and I’d feel a little less conspicuous.
 
But to my horror, there was a police officer blocking the gate between the parking garage and the Gallivan Center who instructed me that I couldn’t enter the event from this gate and would have to walk two and a half city blocks, long blocks mind you, around the Gallivan Center to enter the event at a different gate. I saw no reason for this detour but when pressed and the cop didn’t budge nor so much as even grace me with an explanation.
 
So out into the crowded city streets I went. Alone and wearing only my underwear (and hands-free device).
 
I knew I would soon enough join several others in a similar state of undress, but for now it was just me.
 
Longest.
Walk.
Of my life.

Fortunately, after only a few steps down that lonely sidewalk, I remembered one of my deepest values. No, not the value of modesty, but a value I believe to be much more important which is:

It doesn’t matter what your wearing, what you look like, or what your circumstances as long as you OWN IT.
 
So, own it I did.
 
With no other choice, I strutted down Salt Lake City’s prim and proper streets with my head held high, looking people in the face and saying hello like it was any other day. I fucking owned those streets in my Calvin Kleins and hands-free device!
 
After several long minutes of walking solo, I eventually met the thousands of other Undie Runners and felt relieved not to be so singularly exposed.
 
Isn’t it funny how what seems so scandalous, like walking down the streets alone in your underwear, changes to something completely ordinary when you’re surrounded by the social proof of thousands of other people doing likewise?
 

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Notice the hands-free device. Very hot!

The lesson I learned by walking alone down the street in my underwear was this: There will be moments in your life when you will be all alone, subject to scrutiny, doubt, ridicule, and judgement, when you’re completely exposed, vulnerable, and with nowhere to hide. And at times like these, you have to simply “own it,” hold your head up high, and keep walking.
 
So, whether you’re embarking upon an unknown chapter of your life, or busting out a yoga pose that seems to defy you, or strutting down the street in your underwear, hold your head up high, do your best and keep going. Whatever you’ve got, wherever you’re at, just own it.
 
Most of the time you won’t be met with throngs of people who are in a similar situation or even understand your situation. That doesn’t matter.  Simply keep your head high and your feet beneath you, grounded in a sure knowing of Self.
 
And in such moments, if you don’t have pockets, consider a hands-free device.
 
Namaste

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Join me for an unforgettable yoga retreat along Italy's Amalfi Coast. May 26-June 2 2018

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