Leaves Falling: The Beauty of Disillusion

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The following is a version of an article I wrote for Conscious Life News

 
Dogma of Fall Leaves

I wish I knew the beauty of leaves falling.

To whom are we beautiful when we go?

~David Ignato


And to whom are we beautiful as we go? This poem seems to point to the fact that even in our failing, there is a part of creation and therefore a part of ourselves that can grant a magnificence to any loss.

A beautiful concept. A bittersweet truth. Perhaps this is why Autumn is so colorful: it is the opulent  funeral procession of the death of so much. It is the rush of fireworks before the quiet stillness of winter.


Shiva Nataraj

Shiva

Many of the Hindu statues tell stories and offers insight which transcends dogma. The Shiva Nataraj, the Dancing Shiva, is a storytelling icon depicting Shiva, the creator of the universe, and illustrates his five acts which, in part, give understanding of death and dissolution. Through understanding the Shiva Nataraj, we too might understand "the beauty of leaves falling" as penned by poet David Ignato.

This statue depicts a person with several arms holding different tools, his hair on fire, body wreathed in flames, standing on an impish creature with one leg, and his other leg in motion.

Creation

In his first hand, Shiva holds a drum putting everything into motion through vibration. It's true that everything from the smallest particle to the largest galaxy, even the Universe itself, is in constant motion. As a musician, I love the idea of DJ Shiva laying down the backbeat that sets the Universe into motion. This represents the birth and spring in our lives and the events and circumstances therein.

Sustaining

His next hand holds a mudra or a gesture called the abhaya mudra. This Mudra is the power of sustaining. It's like Shiva is saying, "I've built this, now I'm supporting and nourishing it." For me this represents summer time when everything is in full bloom and thriving. It's also a reminder to be present, especially to our tendency to get attached to things when they are going well, or looking over our shoulder for the other shoe to drop. If possible be right in the moment as things are. The subtle message here is that things are in flux and don't get either attached or resist what's inevitably in flux.

Death and Disillusion

In his third hand, Shiva is holding a flame suggesting not to get too attached because just as soon as he will give birth to and sustain something, he'll also burn it down. This flame reminds you that not only does everything has a life cycle, but that even as things are changing and dying they do so as part of a perfect cycle. Shiva has no remorse about any of this, he simply stares straight ahead with a little grin as if to say, "This is what death looks like," meanwhile the beautiful fall colors are exploding in their passing.

Concealment

So, when you're at your lowest point, your house has just been razed to the ground and you're really hoping Shiva will give you a helping hand, he does just the opposite. His fourth arm is concealing his heart. At the moment when we are humbled and look to a higher power at our low points he covers his arm to say, "You don't learn heart of God for free." Sometimes this feels like just when you couldn't get any lower, you in fact do.

This lowest point is what Shiva is standing on, a little demon thing called the apasmara and represents the unrealized, naive or innocent part of ourselves. Shiva is standing on this representation of a part of ourselves, not in any way to be mean or spiteful, but rather as a way of literally taking a stand for our higher selves.


Revelation

Revelation Scott Moore Yoga

And once the old self has fully been put asunder, with the only limb left, Shiva last leg is swinging upward to invite you back into the a new and elevated cycle of new birth, sustainment, death and dissolution, concealment and revelation. Here is where everything is revealed and we continue to ride the circle in a spiral of evolution and growth. After such revolutions, there is no going back. And after several times around one might begin to start to expect the different cycles as they appear.

With the full picture in mind, whenever we encounter death, change, or dissolution we can resist it less and perhaps see if for what it is, one of the beautiful steps on our way to our full understanding being.

Mary Oliver writes about learning to accept death and loss in her poem, Maker of All Things, Even Healings. I love the title of the poem because it suggests that the healing, the bringing back to life for a fuller measure of life as in the Dancing Shiva, comes only after accepting death which she does so humbly.

All night

under the pines

the fox

moves through the darkness

with a mouthful of teeth

and a reputation for death

which it deserves.

In the spicy

villages of the mice

he is famous,

his nose

in the grass

is like an earthquake,

his feet

on the path

is a message so absolute

that the mouse, hearing it,

makes himself

as small as he can

as he sits silent

or, trembling, goes on

hunting among the grasses

for the ripe seeds.



Maker of All Things,

including appetite,

including stealth,

including the fear that makes

all of us, sometime or other,

flee for the sake

of our small and precious lives,

let me abide in your shadow--

let me hold on

to the edge of your robe

as you determine

what you must let be lost

and what will be saved.




As we celebrate the panoply of fall colors, may we, too, remember the beauty of leaves falling, the beauty and magnificence of this amazing dance in which we are all twirling, living and dying.

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California Love

Sen and I have spent most of our lives living in Utah. In 2017, we were looking for something new. We wanted a challenge.

Right about April of 2017, Sen was offered a job to work in NYC. That seemed to fit the bill perfectly for a challenge and the we decided to move, despite the fact that we’d just moved into a new house (new for us, and the first one we’d bought together), we decided to say goodbye to Salt Lake City and head east.

This decision was very deliberate. I mean, I would be giving up my 15-year career teaching yoga in Salt Lake City, a place where I’ve been rewarded with scores of friends, loyal clients, and more teaching opportunities than I can accept. Regardless, I was hungry to know if what I did in Salt Lake City could translate to New York.

It did. But it was more complicated than that . . .

NYC was much more challenging than we thought. After about 9 months, Seneca was starting to wonder if we’d made the right decision. I’m the kinda guy who will stick out even a bad sitch long enough to play it all the way out to the end, for better or worse. I wanted to stick it out for a while, mostly because I was just starting to get some traction in the yoga world.

Kula Yoga Nikki vilella.jpg

One of the studios I practiced at and audition for was Kula. Their commitment to a solid yoga practice with good, smart alignment added to a solid structure but dedicated to fun, creative sequencing was perfect for my personal style of practice and teaching. I particularly loved going to Nikki Vilella’s classes. She offered a no-bullshit, solid class that showcased her expert teaching, great assists, but without any showboating or diva vibes.

I asked to if I could possible get onto their sub list. Nikki arranged an audition for me and after gave me some really solid feedback. I’ve been teaching for so many years, and even giving feedback to other teachers regularly with my Teacher Mentor Program but it had been a while since I’d received good feedback about my own teaching from someone who is an expert teacher. Nikki said that while I was a great teacher, that my assists were very strong, but that I simply needed to learn the “Kula Way.” She suggested that I take the 30-hour “Kula Way” training they offer periodically, simply to understand the branded way in which the studio likes to their teachers to format classes.

Not long after this I went to Costa Rica for a retreat and had an incredible revelation that if NYC wasn’t happening for my woman, it just wasn’t happening. Don’t get so attached to NYC and try something new. I’d have to put the Kula training on hold.

Wanderlust hollywood schuyler grant.jpg
Wanderlust Hollywood Matt Phippen.jpg

Once we decided that New York wasn’t the right fit for us, we took a trip to L.A. Seneca spent a good part of her childhood in L. A. and has always considered herself a Californian at heart. We found that L. A. really fit us well—it seemed exciting and available to us. As per Nikki’s suggestion I found the sister-studio to Kula called Wanderlust in Hollywood and fell in love with it, not surprisingly because it was opened with, Schuyler Grant, the woman who opened Kula. I took class from Matt Phippen who was again right up my alley. I introduced myself to him and said there’s a good chance I’d be coming to L. A. He suggested I do the Wanderlust equivalent to the “Kula Way” training, a 75-hour, week-long training that shows how it’s done at Wanderlust.

So we liked L. A. And especially due to the fact that Seneca’s job dried up, the purpose for us moving to NYC in the first place, and that it’s just SOOOOOOO damn expensive there, we decided to forgo the obligatory 2 years of ass-kicking by “the system,” the NYC hazing period, and just move to L. A. And why not stop off in Salt Lake City for a while to have a summer with family, to reconnect to my old studio, and to offer some classes, workshops, and retreats.

Well after a great summer in Salt Lake City, we made the move. While in SLC, people would ask me repeatedly, “Now why are you moving to L. A.?” and when I told them simply because it’s on our adventure map, they would simply stare at me blankly. That’s fine, I don’t need people to understand my life for it to make sense to me.

I decided to take the Wanderlust training and was frankly thrilled to be doing a training again as a student instead of the teacher. I was hungry to get more of that fantastic feedback like I received from Nikki at Kula. I was eager to change things up and learn instead of teach— to sharpen the axe. And I knew that I wanted to do this as Wanderlust.

Plus, one great way to teach at a studio you like is to show up and pick up what they are puttin’ down. If it so happens that I can get onto the sub list at Wanderlust and someday be on the schedule, I’d be thrilled. But it’s good enough just to be learning the stuff.

So, with the training in mind, we moved to L. A., rented and Air B&B, and drove out.

The training started today and I’m so thrilled to be doing it. It’s exactly what I was hoping for and more. I’ll tell you more about the training tomorrow!